![]() Initially, I thought I may have been biased by seeing the text indicating what I was listening to, but I don't think that was it. The main difference I hear (I haven't done any analysis yet) is the level mismatches, even in the un-mixed clips. This sets off some questions and concerns. There is a clear difference, to me, in each of the samples, even those that had no processing. It can be a controversial subject, so I am guessing that your hit meter will be increasing. but I got really my difficulties to decide between these 2.Tremendous effort was put into this comparison, so thanks for that. No offense here against Reaper neither although if listing my personal pros and cons got Reaper more and more hard times here.įor me, Studio One is a lot more "ready to use" for both GUI and functionality. The provided instruments especially the ImpactXT and SampleOne with their native integration are a big pro for me too, as are the integrated fx. everything is very useable out of the box. including browsing exiting projects and be able to import, tracks, fx, complete structures. musicloop and audioloop export/import are great, preset management for native and 3rd party plugins is exemplary, chord. Tbh, in the last few years Presonus was for me one of the most innovative DAW company if not the most innovative one.Įvery update brought great new features and a well done implementation while Cockos fell more and more behind, having had a great start, turned all new implementation more and more into a meh. Old issues were ignored and more and more nerd stuff implemented, and the new direction turning everything into a second class Vegas clone doesn´t help neither. Nevertheless is Reaper still a tad ahead when it comes to it´s flexibility and the mouse modifiers are great. What were special reasons for you leaving a great DAW behind and go with Reaper.ĭo I miss something, which can lead into a trap when diggin deeper into S1? I own Reaper since long time and know it quite well. I know Studio One too, but perhaps 50% of my knowledge of Reaper. (while the majority will claim about the CPU problems S1 got before.) I am looking for some insights, which I missed perhaps so far.Īnd in my opinion the best source are people who did the move for some special reasons. ![]() If Studio One does everything you need and you don't see yourself ever needing to expand then go for it. I think of Reaper as like the difference between Microsoft Access and Microsoft SQL Server. ![]() Sure Microsoft Access is much easier to get going for making a database but after a while once you start to really use it and begin asking it to do harder tasks it won't be able to. The customization is obviously the power of Reaper and for anybody who has demands that go beyond simple recording there really isn't any other system out there that offers such an incredible level of customisation. Reaper is not a flower to be picked but a mountain to be climbed but most of us here are not happy with flowers and have to get to the top of the mountain. The best one is the one that allows you to make the most music. I really don’t get the learning curve issue with Reaper for the vast majority of the tasks I would undertake on a day-to-day basis - but maybe that’s to do with the type of music I’m making.Ĭoming from other daws, I found it fairly easy to get used to. ![]() Like other daws you need to understand where to find the menu option, shortcuts, and actions to achieve what you want - but that’s part of the process of using a new tool. I’ve used Studio One - although not v4 - and it’s a fine daw, but it suffered from the curse afflicting so many other drop outs, bugs, and occasional performance issue. I acknowledge that may have changed with v4. Most of the main daws now offer similar functionality IMO, the key differentiator is stability - a lack of which is a killer for the creative process. I’ve had one issue since I started using reaper, and it’s a performance issue with one of the plate reverb plugins which I love the sound of, but has noted problems with cpu spikes - nothing to do with the daw.īut, whatever works best for you - use it. In comparison to S1, Reaper out of the box lacks a lot of basic functionality of features, which are important to me. Īnd that is where it starts to get complicated. For instance mixdown selection (extended bounce in place in many other DAWs), native slicing of drumloops to a native sampler.
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![]() pdb sourc e: iMazing HEIC Conv erter.exe, 00000000. pdbt sourc e: iMazing HEIC Conv erter.exe, 00000000. sdmpīinary string: \?\C:\Win dows\symbo ls\exe\iMa zing HEIC Converter. 00000000.s dmpīinary string: symbols\dl l\mscorlib. 00020000.0 0000000.sd mpīinary string: WindowsBas e.ni.pdbRS DS source: WERF55A.t mp.dmp.4.d rīinary string: \?\C:\Win dows\Micro soft.Net\a ssembly\GA C_MSIL\Win dowsBase\v 4.0_4.0.0. 0_31bf385 6ad364e35\ Presentati onFramewor k.pdb sour ce: iMazin g HEIC Con verter.exe, 00000000. 4.drīinary string: System.Cor e.ni.pdbRS DSD source : WERF55A. Download the Waltr HEIC Converter even if you use a low specs Mac and Windows OS.Binary contains paths to debug symbols Source:īinary string: C:\Windows \mscorlib.All of the EXIF data is preserved to the converted output.Convert HEIC into a JPG or PNG format easily.You can do the drag and drop feature with this converter.There is no need for an internet connection and file size limitations.So, if you want to dig deeper into this converter, you will need to know first the key features that this software offers you once you download this offline converter. As the name suggests, this converter allows users to import images in the HEIC format and nothing else. ![]() We still can't deny that the software is one of the best solutions for HEIC files. However, there are better converters you can download compared to what Waltr provides. Ultimately, this software provides the best method for converting the HEIC file while keeping up the pace and without quality loss. You can download Waltr HEIC Converter by visiting its official main web page. Waltr HEIC Converter Review: Everything You'll Need to Know ![]() I wore that and jewelry that Halston had picked for me for that night,” Minnelli told Variety in 2020. They developed the look together: a floor-length yellow gown with a matching cardigan, complemented by accessories provided by Halston himself. When Minnelli was awarded the Oscar for Best Actress for her legendary performance as Sally Bowles in Cabaret, she of course wore Halston to the ceremony. She wore a Halston gown when she won her Oscar. They traveled the world, attended the hottest parties, and played as hard as they worked. ![]() Minnelli was regularly seen wearing Halston’s fluid garments at Studio 54, with or without the designer on her arm. Liza’s enigmatic personality complimented Halston’s suave and subdued demeanor, and they were often accompanied by Andy Warhol, Cher, Bianca Jagger, Anjelica Huston, Truman Capote, Debbie Harry, among other iconic artists and socialites. They partied frequently at Studio 54 together.Īnyone who was anyone was at Studio 54 in the ’70s, and that included Minnelli and Halston. "If I liked something that he didn't think was right, he would tell me, 'No, that is not the right shape for you you need to hang everything off your shoulders.' I'm broad shouldered, short waisted, and long legged, so you hang it off here," said Minnelli in that same Harper’s Bazaar interview. They spent ample time figuring out what looked best on Minnelli’s petite frame, something she’s still grateful for. Minnelli is known for styling her hair in a pitch-black pixie cut and wearing a long buttoned men’s shirt, black tights, and heels - and you can thank Halston for a lot of that. Mariette Pathy Allen/Archive Photos/Getty Images Halston styled Minnelli and created her signature look. Halston with Elizabeth Taylor and Liza Minnelli. I did what he said,” Minnelli said in a 2011 interview with Harper’s Bazaar. “We got along instantly, and he became my fashion mate. They became fast friends, and soon he was dressing her for events everywhere, from the red carpet to Studio 54 to his gorgeous townhouse on 63rd Street, where they would often kick back and enjoy some privacy. On a trip to Bloomingdale’s with her godmother, Kay Thompson, Minnelli was drawn to a Halston sweater suit - so Thompson took her to meet Halston himself in his Manhattan studio. Minnelli had fallen in love with Halston’s designs before they even met. Minnelli met Halston through her godmother, Kay Thompson. ![]() ![]() “So it was infectious, it was very easy to understand how much they cared for each other when Ewan and I got on set together.”īut how much of the pair’s close relationship is depicted accurately in Halston? Below, an overview of Halston and Liza Minnelli’s iconic friendship. “I think Ewan got a real sense of Liza and Halston’s relationship when he met with her,” Rodriguez says. Still, McGregor’s meeting ended up helping her on set. “I didn’t want to force her to have to give a blessing,” Krysta Rodriguez tells Bustle. The actor who portrays Minnelli in the show, however, didn’t end up speaking with her real-life counterpart. Prior to filming, Ewan McGregor - who plays Halston in the show - met with Minnelli, and reassured her that he would do her friend justice. Minnelli upholds his legacy today by continuing to wear his designs. Halston's personal and professional life was tumultuous, but so was Minnelli’s, and they remained by each other’s side until his death in 1990. Minnelli has said that Halston told her “what to wear every second.” Their friendship was like a New York love story, albeit a platonic one - though sometimes, those are the most powerful. She also almost exclusively wore Halston’s creations, especially in the beginning of her career. They were often seen everywhere together, most famously at Studio 54 in Midtown Manhattan. The real Halston and Minnelli had an instantaneous connection upon meeting, and the performer soon became Halston’s muse. Their ride-or-die friendship is one of the highlights of Halston, Netflix’s new limited series about the late fashion designer. Before Paris and Nicole, Michelle and Busy, or Spongebob and Patrick, there was Halston and Liza Minnelli. ![]() as a source of knowledge and inspiration, it was important that Korean games developed their own unique set of characteristics that would stand out in the global market. While the early game developers in Korea looked to games produced in Japan and the U.S. Main source: Korea is, and Will Continue to be, a Force in the Gaming Industry, KOREA Webzine, July 2018 ![]() Game developers in Korea are quick to adapt to the latest trends, be they social network games, educational games or open platform games – which leaves fans around the world waiting eagerly to see what they will come up with next. The strategy was successful: within six months it had sold over 40 million copies, with half its total revenue coming from the North American market.Īt prominent international gaming tradeshows such as Gamescom, Korean games are often among the most highly anticipated for their dynamism and creativity. Many video games are targeted at non-Korean audiences in the initial production stages, for example PlayerUnknown’s Battlegrounds ( PUBG, 2017) was created with the North American market in mind. Export figures have been consistently high and sometimes record-breaking, such as when the game CrossFire reached over 3 million simultaneous users in China in 2011. These cultural factors put Korea in a strong position to target the global gaming market. The popularity of these rooms represents mainstream acceptance and even celebration of gaming culture which has provided a huge boost to the industry. Domestically video games play an active and visible part in everyday life, demonstrated by the proliferation of ‘PC rooms’ where individual or groups of gamers can spend hours enjoying impressive internet speeds at an affordable price. In what is often termed the ‘K-Game Wave’, Korea quickly gained a reputation as the world’s leading nation in internet-connected, PC-based video games – a reputation that remains strong today. However, due to the rapid spread of high-speed internet, as well as efforts to overcome the Asian financial crisis after 1997, it didn’t take long for the Korean video game industry to gain a foothold in the global gaming market. The relatively late introduction of PCs to the mass market in Korea meant that the first Korean video game was only launched in 1987 – the first-person shooter (FPS) game Fox Ranger. ![]() ![]() Many flame-belching chasms lead to the Vaults of Tartaros. Nothing too taxing, but some are craftier than others. The game is packed with puzzles that need solving. The first are the wings of Daedalus that allow her to traverse from the initial area into the wider world. There are Minotaurs, Gorgons, and Cyclopean giants, all of whom would rather see Fenyx fail.Īs the game progresses Fenyx unlocks more weapons tools and abilities. The game is set over seven lands of the Golden Isles, all inhabited by creatures of Greek mythology. Players take on the role of the titular Fenyx.Our hero (or heroine, the player chooses gender, etc.) has been charged by Zeus to sort out a mess caused by the banished god,Typhon. So much that they had enough to make another game, and that game became Immortals Fenyx Rising. Odyssey is a massive game.Įven though the developers crammed Odyssey to the gills, they still had loads of material left over. It followed Kassandra (or Alexios) on an odyssey across a very well realised Ancient Greece and beyond- to the plains of Elysium and Atlantis, itself. Ubisoft’s 2018’s Assassin’s Creed Odyssey remains one of my favourite games. ![]() This new third-person action game is from the people that bought us Assassin’s Creed Odyssey.Apparently, it was a legal issue that made the publishers change it from the much more sensible, Gods and Monsters. It is a terrible name for a game that deserves a much better moniker. Ubisoft jumps back into Greek Mythology with the clumsily-named Immortals Fenyx Rising. ![]() “Complete Book of Roses” is a universe unto itself, Birgy singing over a tinny drum machine and serrated guitars about a painful, never-ending restlessness: “I’ve got every book out,” she sings, “And the warmth of the words is unnerving.” A guitar solos in the background like a phantom limb, as the beat blooms into a kind of frenetic, moorless samba Birgy’s voice builds and crumbles, more guttural yelp and exclamation than concrete words. When not in this mode, Birgy still captures the beautiful, occasionally petrifying vastness of her earlier music. Life, and Another felt like the musical equivalent of overturning a log to see the insect life teeming beneath these bullish, ambitious, chunkily melodic songs crush some of that nuance. For the most part, though, these details are obliterated by the barnstorming synths that coat the early tracks squint, and they could resemble old songs by Future Islands or Lower Dens. The album still possesses tiny pearls: There’s an aqueous, almost imperceptible whisper beneath Birgy’s vocals on “Cactus People” that’s cool and deeply discomfiting, as if recorded by her own shadow Birgy’s description of freaking out a potential boyfriend (“I really scared him/Because all I talk about with him is/Beheading young men”) is one of her most casually hilarious lyrics ever. These songs are booming and vivid and catchy, but they almost underserve Birgy the nuances and intricacies of her music are what make it feel so precious and self-contained. On the neon-lit “Love Is,” the kind of pulsating Italo anthem that maybe only the disco divas on an After Dark compilation can really pull off, she tells a lover she’ll “leave my door unlocked/Just in case you want to stop by and let me get lost in your eyes.” On the soaring “Cactus People,” she begs someone not to “leave tonight,” as the taut pulse of drum machines and live drums, both by Big Thief’s James Krivchenia, rattle underneath. Before the album slips into existential dread and malaise, she makes room for a handful of songs that seem to find at least a little solace in the idea of human connection. ![]() It feels hopeful, until moments later, when she lets out a chilling, mournful howl.īirgy has said that End of Everything was inspired by both personal tragedy-a home invasion and subsequent assault she experienced-and the ecological terror of the 21st century. “It’s something I’m trying to commit to/The all and everything,” Birgy sings at one point. ![]() These songs are dogged, searching for some kind of brightness amid universal dejection. Across these desolate and distended tracks, Birgy comes across a little like a sci-fi heroine, trekking across the surface of some gloomy and unnerving planet. End of Everything begins with a suite of propulsive, exhilarating synth-pop tracks, but it soon settles into an eerie, claustrophobic take on prog, its second half devoted almost entirely to tense, exploratory passages. The vast, open world of Life, and Another has been replaced with harsher terrain: Environments built with brittle coldwave synths, funereal piano lines, and howling saxophones. ![]() On End of Everything, a newly sober Birgy is working with far more intensity. ![]() Layers and groups of layers can be disabled.Image rotation has been changed to make the image keep the same dimensions, can be applied on individual layers in multi-layer images.Option to dump/save live synthesis output to an audio file.Live Synthesis mode added, it makes any change to the image heard instantly with no interruption.Version 1.9.1 was an unannounced 2017 release that only offered new 64-bit builds and attempted to solve the new macOS issues. History/Scripting function: All actions done in Photosounder are saved to a human-readable history file (history.pha) which when opened redoes every action.Various bug fixes, improvements and optimisations.Fixed layer list in menu in the Mac version to display more than just the names of the layers. Changed the windows compiler, more optimisations, larger address space.Waits for synthesis to complete before saving sound to file.It also allows for writing elaborate scripts interpreted by Photosounder. ![]() ![]() They send events to other systems signaling that something has changed, and those systems are acting on those changes.Ĭustom business logic is coded into apps and services that run in the cloud, often automatically. Apps always talk to each other using internet standards like JSON, REST, and OData. Today, businesses have a custom application network that lives in the cloud. Modern FileMaker is hosted in the cloud using, preferably on a hosting platform designed for FileMaker, like Ottomatic Wired: Centered on automation & the server An approach that centers on files that may or may not be available on the internet and requires users to take action for anything to happen isn’t going to cut it. How would we automate, integrate, and consolidate the data from these different apps? Welcome to today, where every business now needs to solve this problem. The result was an explosion in the number of “apps” companies started using to run their business. Businesses and organizations now have access to what amounts to expert systems to handle parts of their business without having to bear the cost of building or maintaining them. The internet and the API economy brought about access to relatively cheap SaaS applications. Sharing remained mostly within an organization. What problem did this solve? Well, this phase of the FileMaker history revolved around storing and sharing data that used to be on paper forms, with some amount of custom business automation and logic. Yes, there have been integrations and web publishing with FileMaker for a long time, but the focus remains on the file as “the thing where everything happened.” That is what people saw, where they entered data, where they pushed buttons and made things happen.įileMaker Server’s job was to store data in those files and make the files available to other FileMaker users first over LANS, then over the WAN, and finally on the internet. Tired: Centered on the user and the fileįor most of its history, FileMaker users and developers focused their attention on the FileMaker file. The Modern FileMaker Revolution is centered on the server. We aren’t surprised by their focus, as the center of innovation and automation has shifted from the FileMaker file to the FileMaker server over the last few years. Although there were features for FileMaker Pro and Go, Claris FileMaker Server got the lion’s share of the updates. ![]() Last week, Claris released FileMaker 19.5. ![]() Prince also referenced his dual-personality in his song Gett Off singing, I got two sides and theyre both friends. Chris Evans, no stranger to the superhero genre, also has the secret power of stealing peoples hearts. Menzel got her start on Broadway as one of the original cast members of RENT, and played Elphaba in Wicked. ![]() The Gemini sign symbol is usually depicted as a very simple graphic meant to resemble the Roman numeral II to represent duality. Activist and pop culture queen, Laverne Cox brings the laughter and the feels to all of her Hollywood projects. Which celebrities were born between May 21st and June 22nd? 1. And that means they have all the wonderful Gemini eminent personalities you love so much. While you may not recognize all of them, many are big-name celebrities. Should I Text Him? Here's a list of famous Geminis singers, songwriters, movie stars, and athletes who show us what success looks like. The content produced by YourTango is for informational and educational purposes only. She was a cult playwright-screenplay writer-novelist-philosopher genius who wrote a notorious runaway best-selling book at just 18. I know this sounds weird.but i was wondering what you look like physically? He was born on June 9. She became an accidental Gemini style icon after her 2nd Saturn Return. He acted in Superbad, Forgetting Sarah Marshall, Men in Black 3, Trainwreck, Inside Out, and the show, Barry. The constellation itself represents twins from Greek mythology, so it's fitting that the Olsen twins' birthday June 13 falls under that zodiac sign. Actor Natalie Portman, born June 9, is a Gemini. By Mehruba Chowdhury Written on Nov 30, 2020. There are plenty of big name celebrities with Gemini rising signs. You can follow her on Instagram or subscribe to her newsletter. Jaime Wright is an astrologer based in New York. It’s all for the art-and the thrill!įamous Aries 3s: Emma Watson, Adrien Brody, Haley Joel Osment, Kate Hudson, Akon, Lou Bega, Tim Curry, Emma Thompson, Sarah Michelle Gellar, Seth Rogen, James Franco Just be warned: No one is safe from being the subject of one of their thought-provoking practical jokes. This is the flirtatious Aries, the prankster Aries, the wink to the camera Aries. Think Emma Watson removing herself from the Harry Potter whirlpool to become a laidback student at Brown. They’re hungry for knowledge and play the long game. These Aries are intrepid artists-reserved but always plotting something. Though these Aries are not aggressive status seekers like the other types, don’t think they’re just treading water. When it comes to romance, Aries are not exactly known for being subtle, and Aries 3s are who really toe the line between cute and brash. This decan is ruled by sweet Venus, the planet of love, which has a harder time expressing itself in Aries. Aries 3 is much harder to pin down into a viral tweet. ![]() The third Aries type is left out of the March vs. They’re who you want to follow.įamous Aries 2s: Maya Angelou, Tracy Chapman, Marlon Brando, Heath Ledger, Pharrell Williams, Al Gore, Celine Dion, Cynthia Nixon, Leighton Meester, Marvin Gaye, Emmylou Harris This Aries type makes being simultaneously a wide-eyed kid and the only adult in the room seem natural and effortless. Think Heath Ledger as the Joker or how you still have “Happy” by Pharrell Williams stuck in your head seven years later. These are the Aries who burn bright and leave their mark by being inconceivably (and almost annoyingly) excellent at whatever they do. They instantly become the CEO of any project or situation. ![]() That’s why most rams never suffer from a lack of confidence, but these Aries take it to a new level. The sun-our life force and ego-is exalted (or treated as an honored guest at a fancy hotel) in Aries. The second decan of Aries is ruled by the sun, which in ancient astrological speak translates simply to: the King. Aries 2 people (who are meme’d as “April Aries”) are still fighters but are celebrated as fearless leaders. ![]() ![]() These sandals aren t just katy s pick on the katy perry collections website but they re also my pick for my today ️ get your on this shoesday thecorry. 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